Log has written
WEDNESDAY, NOVEMBER 25, 2009

I was guest of honour and speaker at a Producers’ Network meet where I was asked to speak on unconventional methods of distributing movies.

While speaking at these kind of occasions, or attending such seminars, I often get embarrassing questions about our films. Dear movie fanatic, let me assure you after years of experience hobnobbing with the film festival crowd of the world, that Bollywood is the biggest shame of India. It’s so difficult to convince people here that Indian films are much more than Shah Rukh Khan dancing or Sanjay Leela Bhansali’s ostentatious flourishes. Nobody knows anything about the amazing regional cinema we have; or even some of the newer directors who are trying to do different things. By the way, while on Bollywood, the Indian Film Company formally acquired the rights of ’Italian Job’ to be directed by Abbas-Mustan. Shudder, shudder!

Read Sunil Doshi’s blog posts from Cannes

Later on in the day, after some such ranting about Bollywood with some of my Cannes friends, I got to know about an amazing project that Mira Nair has initiated. The project is called the Maisha Lab. She brings together writer sand directors from East Africa and West Asia for creative collaborations in film.

But on the subject of unconventional methods of distributing movies, it must be said that this is something that we in India sorely lack. Most good Indian movies don’t even reach most towns unless they have a star actor in it. My first suggestion was: Take movies to communities. Use the Web to announce or even put up films online meant for specific online groups. The call centre community in India has unconventional work timings. Ask multiplexes and theatres for early morning slots near prominent call cantres. It is an experiment that has already worked in Mumbai, at the Fame theatres in Malad.

The second thing that can be done is to encourage digital distribution. It will allow screening possibilities in corporate premises. The micro-finance model can be replicated in film distribution as well. Empower unemployed individuals in villages with small loans for a state-of-the-art LCD projection equipment. This will make film distribution a lucrative business opportunity and also make films accessible to the masses.

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rajeev Said:


i dont understand y they take bollywood to foreign films nobody gives them importance.

Posted On 5/20/2009 3:38:06 PM
Ash Said:


Obviously movies meant for our $2 a day earning masses and poor people are not the same people we will need to project to draw world attention. For that go beyond the potboiler Khan cinema. Take off the silly songs and dances. Make movies that follow a story, no comedy tracks in between, improve movie quality, get a move to stand on its own legs.

Posted On 5/20/2009 11:33:12 PM
Venki Said:


So who makes the decision on which Indian movies go to Cannes, is it private producers or some government organisation? If there are no regional movies being brought to Cannes, is it the fault of the producers and ditributors of Tamil, Telegu, Kannada, Malayalam, Marathi, Bengali, Bhojpuri movies or some other agency? Finally, how does bringing Indian films to Cannes help these films? Does it create a wider audience and market for them? Are the costs in bringing them to Cannes worth the return that they would expect?

Posted On 5/21/2009 12:38:35 AM
Amit Said:


"Italian Job", eh? It will find a ready audience if the story is about the UPA winning the elections ;-).

Posted On 5/21/2009 7:48:48 AM
ahmed Said:


bollywood used to have such a good movies. where are those out door singing? colour full dresses? good dioluge? where is the emotions? no one now days is making movies like dewaar,goolmal,and look at all those rishi kapoor's amazing films. now days it is no more.

Posted On 5/22/2009 1:18:38 AM