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It was as a student of architecture travelling in southern France that I first realized the possibilities offered by the combination of architecture and urbanism. The amalgamation was most obvious in the medieval city of Le Puy.

The approach to the cathedral in Le Puy was a roadway lined with stone shops and houses. The cathedral was the central composition in the cityscape and as one got closer to it, the road became steeper and steeper, and along with the buildings, kept rising till the road became a ramp. The ramp became a cascade of steps, rising high and steep. As the cathedral front loomed, I realized the steps were, in fact, heading underneath the building and I was ascending below the nave. Under the building, the church floors opened and suddenly, I was face-to-face with God.

As I turned around, I saw the city far below, the entire length of the street from where I had come, and I understood how the street and the building had combined to give me the complete kaleidoscopic experience, how the cathedral’s high elevation had been used to extend the church into the city. The city, hill and cathedral merged in such a way that it was hard to tell where one ended and the other began. It was an architecturally gratifying and monumental experience, fashioned simply by the cathedral’s location on the hill. The hill dictated a possibility for the layout. The medieval architect multiplied it tenfold into a truly concentrated ideal.

Also Read City Centre’s earlier articles

How many cities, especially in India, ever consider their position or seek any real advantage from their unique landscape? Does Mumbai’s sea location create any special conditions in urban layout or architectural design to catch the sea breeze or evening light? Is the mountainous terrain visible in the architecture of towns in Sikkim or Himachal Pradesh? Is the desert or the river location of north Indian towns, with the exception of Varanasi, a criterion in their layouts?

Illustration: Jayachandran / Mint

Illustration: Jayachandran / Mint

To attract residents to the sea, the small town of Cape May along the New Jersey shoreline oriented its entire grid of streets on a diagonal. Whatever the street, you are either going towards the beach or away from it. A plan of such astonishing simplicity, yet so effective in urban terms, was made by a mere deflection of the conventional street pattern.

A concern for new ways of orienting ordinary city life makes many builders seek unusual combinations of the public and private face for their own buildings. In Madrid, for instance, with dense and crowded ground conditions, an enterprising builder chose to move the urban dimension of his apartment block to the roof. In an unusual connection to all the apartments, the roof offers the essential pleasures of public life usually reserved for the ground level: meeting, cabanas, clubs, theatres and restaurants.

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Anjali Said:


I was eagerly looking forward to your next installment. You have highlighted the bane of Indian Urban life. There is an astonishing amount of attention paid to aesthetics and design in Europe. For instance in Paris - a city with beautiful symmetry, an audio guide in Louvre has painstakingly explained why a particular section is asymmetrical. But coming to India, do you think that if the citizens only complain of water shortage, it is because even such basic needs as electricity and water have not been ensured in our country even after 60 years of independence. So I wonder when Indian citizens will move up the Maslow pyramid and realize that they have higher order needs. Until then, sadly they will be happy with the monstrously ugly urban landscape that India boasts of.

Posted On 5/21/2009 9:47:01 AM
R Said:


Excellent article. I feel this too and I didn't realize how bad things were until I went abroad. Sadly even though building after building is made, you would hardly see any difference in them. Yes the length and breadth may wary but the design is essentially same. A major factor behind is that our society doesn't encourage artists. We want engineers, doctors and MBAs, we don't encourage our kids to be cartoonists or painters. When art dies in the society the way it does in ours it manifests itself in everything around us. Architecture also suffers because of this, there are always compromises being made on account of budgets, to accomodate tradition or simply because the architect is not creative enough. The only place I believe is aesthetically pleasing in North India is Chandigarh. It is designed in a way that you always have a park along the road, a lake and numerous other places to visit or drive to and is not limited to just a walk in a mall or a movie in a multiplex. Also, finally a lot of people don't realize this, as with a lot of things. If you say these things they see you as unpatriotic or someone who has a hangover of being abroad.

Posted On 5/21/2009 10:19:26 AM