Berlin: The 63rd Berlinale premiered Tuesday the latest film by banned Iranian director Jafar Panahi, a haunting lament about crushing state oppression and a tribute to the resilience of the creative drive.
Closed Curtain, which Panahi co-directed with longtime collaborator Kambuzia Partovi, tells the story of two people on the run from the police hiding out at a secluded villa.
The older fugitive owns a dog, banned as pets because Islamic law deems the animals to be unclean, while the young woman, who soon proves suicidal, was caught attending an illicit party on the Caspian Sea.
They keep the drapes drawn to avoid detection by the authorities but while the man tries to keep working—on a film script, as it happens—she slips deeper into despair.
Panahi was detained for a documentary he tried to make on the unrest following the 2009 election and banned from making more films for 20 years. He was given a six-year jail sentence but currently remains under house arrest.
But the director, who has picked up a clutch of prizes at major international festivals for socially critical movies that are outlawed in Iran, has been feted abroad as one of the most original voices of the Iranian new wave.
Though he was prevented from coming to present the film in Berlin, Panahi appears on screen during the second half of the picture and it remains unclear whether the two fugitives are not just a figment of his imagination as the action moves from reality to fiction and back again.
The walls of the villa are covered with European versions of his own film posters including the 2000 picture The Circle which ends with a prison door slamming shut on a cell containing all the main female protagonists.
Partovi, who also plays the role of the man with the dog, said Panahi had been deeply depressed due to the official restrictions when they started working on the project, which he said was aimed at “bridging this hard period”.
“It’s difficult to work but not being able to work is even more difficult, particularly at the height of your career,” he said.
Partovi said it was unclear what consequences the new picture, which got a mixed reception in Berlin, would have for them in Iran.
“Nothing has happened until now but we don’t know what the future has in store for us,” he said.
Maryam Moghadam, the lead actress, said her character represented Panahi’s desperation.
“She’s the dark side, the hopelessness of every person and, specifically, the director in the movie,” she said. “The dark side of his mind, the hopeless power—that part that doesn’t hope any more and wants to give up.”
Panahi’s This Is Not A Film had to be smuggled out in a USB key hidden inside a cake to be screened at the Cannes film festival.
Cannes, Berlin and Venice invited him to sit on their juries in 2010 and 2011 but because he was barred from leaving the country, organizers left a symbolic empty chair for him to remind film-goers of his plight.
Panahi, who was born in 1960, was awarded in December the prestigious Sakharov human rights prize by the European Parliament—a move that enraged Iran and further strained relations with the Islamic republic.
German Chancellor Angela Merkel’s spokesman on Monday said Berlin had appealed to Tehran to allow Panahi to attend the festival and protesters outside the Berlinale cinema held up cardboard cutouts of the director demanding he be free to travel.
Panahi released a statement with the press materials for the film, saying the story served as a metaphor for his personal plight.
“Closed Curtain uses shifting genres and stories within stories to highlight why film-making is a necessity in a film-maker’s life: it is the imperative need to show the reality of the world we live in,” he said.
Closed Curtain is one of 19 films vying for the Berlin’s Golden Bear top prize to be awarded Saturday.
A gripping Iranian families drama, A Separation by Asghar Farhadi, won the Golden Bear in 2011 at a festival that has long spotlighted the country’s embattled directors.