Of the various disciplines that give scope and structure to the idea of a city— among them architecture, planning, demography and sociology—no one would argue that the central premise is aspirational. People come together to live better lives and find opportunities to improve their condition. Yet, in the absence of a public policy related to this ideal, how can the city create equitable conditions of opportunity related to its growth and development?
Illustration: Jayachandran / Mint
Campbell Towers, Malibu Gardens
So far, every aspect of growth has been related to consumerist ideals. The parcelling of land to private developers has naturally led to discriminatory patterns of development, related solely to middle-class aspirations. “Live a new life at Campbell Towers, just 12km from downtown Pune”, or “Come to Malibu Gardens, Ahmedabad’s new upmarket address”. Air-conditioned glass houses with seductive titles, copied from European models, spring up overnight in the suburbs: Belvedere Glades, Cameron Manor— business ventures for quick, profitable returns. Everyone knows it is more profitable to build for one man at an 18-hole golf course than for 18 men at one handpump. There is money to be made in exclusive locales—clubs, industrial parks, expensive upscale farmhouses and retail businesses. And the builder is the new city planner.
Singular need, paper attempts
Unfortunately, when foreign ideals and designer townships become realities in the Indian city, few would be interested in cross-examining the contents for ecology or equities in energy, transportation and lifestyle. Yet, if ever there was a need to comprehensively examine the forces of Indian city living, it is now. With growing populations and nagging displacements, a yawning gap between the old settled and the newly arrived, and indeed between liveable and available space, the search for an alternative way of urban living is the single most glaring need for the city. Yet nowhere has there been a serious attempt to define in clear physical terms the kind of setting that would suit the requirements of all sections of urban India.
Certainly there have been many attempts on paper. The Third World Metropolis. City in Search of a Future. New Town Design. The Alternative City. All grand ideals that examine statistics and planning patterns, but do little to create a physical structure that can be built, seen and felt as a future model for growth.
Despite monumental problems and annual shortfalls, the incomplete approach to planning and design is part of the psychology of a government unable to take bold initiatives. Only when problems manifest themselves in health epidemics, housing shortages or food contamination does the government initiate action. A Rs8,000 house designed by an engineer 20 years ago was seen as a great thrust towards a bold future. That the cement and bamboo structure would be hot and cold in the wrong seasons, had inadequate ventilation and was entirely unsuited to local ideas was overlooked owing to the seductively low cost. The house was a winner solely on the thrift of its construction.
Low-cost house or new city?
How then do societies with a far lesser need for change and experimentation promote bolder ideas, with more rigorous parameters? The Masdar Initiative, for instance, is a 64.5 million sq. ft sustainable development outside Abu Dhabi which advertises itself as a zero-carbon, zero-waste city. Planned by Norman Foster, its design integrates the traditional principles of a walled city with advanced ideas in harnessing energy and reusing waste. The ambitious project bills itself as the future desert metropolis. Whether it succeeds in its objective is less important than the will that drives people to such a monumental experiment.
In a place where an ill-conceived but cheap concrete roof is seen as futuristic, a scale of endeavour such as the Masdar Initiative would seem foolishly ambitious, a piece of science fiction. How many bureaucrats, politicians, government files and Planning Commission meetings would it take to bridge the divide between a cement house and a whole new city? It is a question that sinks quickly into parody.
Long road ahead
The need for a new direction in India can no longer be part of a government wish list or the old perception that views city problems merely as a matter of cleaning up—razing slums and replacing them with golf courses. Or whitewashing slum walls and asking people to remain indoors. The fear that a new idea may not work and that the responsibility will come to rest uncomfortably on the shoulders of a bureaucrat or a minister keeps the government from supporting any serious alternatives.
Is there anyone...?
Given the power that builders and developers exercise in the allocation of land and buildings in a city, it is a shame that few among them have taken to experimentation. To be the richest in the world, recognized by Forbes, is enough for the gloating family of Indian business achievers. But with profits in luxury housing dwindling, is there anyone out there—a DLF, Unitech or Raheja— who can summon up enough courage to embark on a different road and direct even a minuscule part of its profits towards the design of a new community? An idea that rejects convention and provides a clear physical representation of a new form of urban living suited to Indian needs—the way people relate to their homes, places of recreation, proximity to markets, desire for leisure, need for security, new types of transportation, and new alternate forms of energy—to produce a real model of a few hundred units among the millions they place in the market every year? In their able and experienced hands, and with inputs on possible alternatives from architects, planners, transport engineers and energy experts, there may yet be hope for an Indian city.
New art by Lucien Freud is on display at a Miami Beach museum, but the small painting isn’t the star of the exhibition. When it was unveiled at a South Beach design museum recently, many people had their eyes on the glasses of deep red wine.
Freud’s playful image of a zebra head and a palm tree is the latest artwork to adorn Mouton Rothschild labels. French winery Chateau Mouton Rothschild has commissioned an artist to create a label for each new vintage since 1945. Artists such as Andy Warhol, Marc Chagall and Salvador Dali have contributed to earlier labels.
No, they aren’t mad March hares. Two giant rabbits made from recycled plastic by the Cracking Art Group are displayed at the entrance to the Conrad Hotel in Brussels. This photograph was taken on 13 February. Three such pairs of rabbits will be displayed in Brussels, the Belgian capital, for six weeks. The money from their auction will go for research on cancer.
This photo released by Julien’s Auctions shows a custom display of Michael Jackson’s signature crystal glove in five different colours. The gloves, identical to those worn by Jackson throughout his career, have been mounted on posed mannequin hands set on a black plexiglass base with a clear plexiglass cover. Each glove is covered in Swarovski loch rosen crystals. They will be sold on the Auction Network on 22-25 April, following a public exhibition from 14-21 April.
An artist’s rendering (below), provided by the Tokyo 2016 Bid Committee, shows the proposed main stadium for the 2016 Olympics to be built on Tokyo’s waterfront. It proposes to use solar panels set up on the roof to produce renewable energy. Tokyo organizers unveiled details of their bid to host the 2016 Olympics on 13 February, emphasizing a compact, sustainable and financially robust games.
Gautam Bhatia is a New Delhi-based architect and writer.
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