The relationship between architecture and the environment has historically been, and continues to be, a complex interaction of site, technology, building materials, human presence, climate and other natural forces,” says Brinda Chinnappa Somaya. The 60,000 sq. ft site for the school was an open field, with no buildings or views. The brief from the client, Mayur Patel, was “to design a school building that would not only reflect the Indian ethos and heritage, but also offer a tranquil space, perfectly suited for learning”.
These specific requirements, together with some budget restrictions, made Somaya design the school building predominantly with brick; a material well-suited for the hot, dry climate. Researching brickwork techniques and craftsmanship took her back to the rich legacy of Nalanda, ancient India’s first university, founded in the 5th century.
The complex is divided into four parts—kindergarten, junior, middle and senior schools. Beyond the exposed red brick exteriors are expansive classrooms, arched corridors and open courtyards. These are interspersed with jaali screen walls, pergolas, ventilators at high levels, windowsills at low levels and lots of greenery. All this, to attain maximum levels of natural ventilation. Tiled roofs and cavity walls help keep the summer heat and winter cold at bay. Natural stones, Kota and Jaisalmer, combined in patterns, make up the flooring almost everywhere; air conditioning and the use of expensive materials such as glass and aluminium has been kept to a minimum. Provisions for rainwater harvesting as well as solar power utilization for outdoor lights and heating water have been included to conserve energy.
The junior school has a central courtyard that extends to four smaller internal courtyards, each containing a cluster of four classrooms. The courtyards and corridors are “shared spaces”, forming ideal centres for parents and children to assemble. Somaya says, “Shared spaces inspire a sense of belonging and ownership; and from that stems the will to preserve and protect one’s territory.”
The kindergarten layout has a different ambience. It has C-shaped courtyards and a predominant use of colourful china mosaic on some external surfaces. Indian patent stone (IPS), mixed with vibrant colours, makes up the classroom flooring.
This project won the Leaf Award from the Leading European Architects Forum in 2006 for the use of traditional methods of environmental control.
1. Vaulted corridors provide both light and diffused shade. Flooring in Jaisalmer and Kota stone.
2. The main courtyard, with the bell tower.
3. Outdoor seating alongside jaali walls.
4. Indian patent stone, mixed with bright colours, enlivens classroom floors.
5. Brick pillars fence the corridors.
6. The kindergarten building is both protective and friendly.
7. The entrance to the junior school is covered by a pergola.
Photographs by Mayur Patel and Noshir Gobhai, courtesy the architect.
Text by Priya Madhavdas
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The multimillion pound-Royal Alexandra Children’s Hospital in Brighton, East Sussex, has won the Prime Minister’s Better Public Building Award in the UK. The hospital was selected from a shortlist of 21 projects. Judges praised its nautical theme, with white concrete panels and bright multicoloured bands reflecting its seaside setting. At the heart of the building is a light-filled central atrium providing a bright reception. The 100 beds for patients are arranged in single, two-bed and four-bed units, each with a sea view. The furniture has been designed for children and every in-patient bed has its own pull-out bed for a parent.
Award-winning British architect Will Aslop has always been known for his brand of unpredictably unorthodox architecture and playful master plans. So it’s only natural that his official website, ‘www.alsoparchitects.com’, is racy, cutting-edge and unusual. At first glance, the background appears to be a close-up of a bump-ridden table done in typography.
On straining your eyes, you will notice more action: there’s a levitating doughnut, a lemon hovering on the table. On second thoughts, you are not sure if it is a table anymore.
Author Daniel Libeskind’s book ‘Breaking Ground’ traces his past and his projects, which include his more recent contribution to the design of the new World Trade Center. The book draws architectural parallels to everything, and is a well-documented tome of the writer’s beliefs on good architecture. An excellent read for professionals and lay readers alike, ‘Breaking Ground’ is an intriguing introduction to the architect’s ideas and influences. The 32 pages of photo features and smart anecdotes make it an exceptional read—a book that drives home the point that talent isn’t everything; it is perseverance that counts.
Ten ways to add space to your small bathroom
• Add extra light to “open up” the look of your bathroom.
• Replace the vanity with a pedestal or wall-mounted sink.
• Remove wall shelves, hanging racks or decorative accessories on the walls that cut into the room and make it look smaller.
• Get a larger mirror to place in front of the bathroom sink.
• Add pale, soft colour schemes to create the illusion of space.
• Trade a frosted glass bath or shower door for a clear glass one.
• Paint or stencil a decorative mural on the largest open wall.
• Paint a lattice or moulding design around the edge of the ceiling.
• Rearrange the bathroom to make it easier to use.
• Customize elements such as countertops to size.