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The Messiah complex

The Messiah complex
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First Published: Sun, Jan 10 2010. 10 11 PM IST
Updated: Sun, Jan 10 2010. 10 11 PM IST
Every age produces its own sort of fables, and our age seems to have produced The White Messiah fable.
This is the oft-repeated story about a manly young adventurer who goes into the wilderness in search of thrills and profit. Once there, he meets the native people and finds that they are noble and spiritual and pure. So, he emerges as their messiah, leading them on a righteous crusade against his own rotten civilization.
It’s a pretty serviceable formula. Once a director selects this, he or she doesn’t have to waste time explaining the plot—everybody knows roughly what’s going to happen.
The formula also gives movies a little socially conscious allure. Audiences like it because it is so environmentally sensitive. Academy Award voters like it because it is so multiculturally aware. Critics like it because it inevitably involves the loincloth-clad good guys sticking it to the military-industrial complex.
Yet of all the directors who have used versions of the White Messiah formula over the years, no one has done so with as much exuberance as James Cameron in Avatar.
Avatar is a racial fantasy par excellence. The hero is a white former Marine who is adrift in his civilization. He ends up working with a giant corporation and flies through space to help plunder the environment of a pristine planet and displace its natives.
The peace-loving natives—a mélange of Native American, African, Vietnamese, Iraqi and other cultural fragments—are like the peace-loving natives you’ve seen in a hundred other movies. They are tall, muscular and admirably slender. They walk around nearly naked. They are phenomenal athletes and pretty good singers and dancers.
The white guy goes to live with the natives, and, in short order, he’s the most awesome member of their tribe. It turns out he’s got more guts and athletic prowess than they do.
Along the way, he has his consciousness raised. The natives are at one with nature. Because they are not corrupted by things such as literacy, cellphones and blockbuster movies, they have deep and tranquil souls. They help the white guy discover that he, too, has a deep and tranquil soul.
But the natives are natural creatures, not history-making ones. When the military-industrial complex comes in to strip mine their homes, they need a White Messiah to lead and inspire them.
Our hero leaps in. As he and his fellow freedom fighters kill wave after wave of Marines or former Marines or whatever they are, he achieves the ultimate prize: He is accepted by the natives and can spend the rest of his life in their excellent culture.
Cameron’s handling of the White Messiah fable is not the reason Avatar is such a huge global hit. As John Podhoretz wrote in The Weekly Standard, “Cameron has simply used these familiar bromides as shorthand to give his special-effects spectacular some resonance.” The plotline gives global audiences a chance to see US troops get killed. It offers useful hooks on which McDonald’s and other corporations can hang their tie-in campaigns.
Still, would it be totally annoying to point out that the whole White Messiah fable, especially as Cameron applies it, is kind of offensive?
It rests on the stereotype that white people are rationalist and technocratic while colonial victims are spiritual and athletic. It rests on the assumption that non-whites need the White Messiah to lead their crusades. It rests on the assumption that illiteracy is the path to grace. It also creates a sort of two-edged cultural imperialism. Natives can either have their history shaped by cruel imperialists or benevolent ones, but either way, they are going to be supporting actors in our journey to self-admiration.
It’s just escapism, obviously, but benevolent romanticism can be just as condescending as the malevolent kind—even when you surround it with pop-up ferns and floating mountains.
Edited excerpts. David Brooks is a columnist for The New York Times. Comments are welcome at otherviews@livemint.com
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First Published: Sun, Jan 10 2010. 10 11 PM IST