If you ask people why Maya Rao is great, they will tell you one line: She brought Kathak to south India
At last week’s book release function of Maya Rao: A Lifetime In Choreography, held at the ITC Windsor, Bangalore, the stars were all in attendance. There was Vimala Rangachar, who headed the Crafts Council of Karnataka, in a rare shimmering Patola sari; Girish Karnad, who spoke about hiring Rao, or Maya Didi as she prefers to be known, to choreograph his film that ended up not getting made. In response, Rao playfully talked about watching Karnad dance while the music was being played. There was the Kannada movie star and politician, Anant Nag, who said amid much laughter that he had never danced in any of his movies but his daughter was a student of Rao’s. Three people read excerpts from the book: author Vikram Sampath, singer Tara Kini, and media professional Sandhya Mendonca. Madhu Nataraj, Rao’s daughter, choreographed the evening with precision and flair. Then there was Maya Rao, 86, resplendent in a red Kanjivaram sari (or was it a Molakalmuru silk picked out by Rangachar?), smiling.