Backrooms box office collection: Kane Parsons' horror hit becomes A24's first $200 million film, overtakes Marty Supreme

Backrooms has become A24's highest-grossing film ever and the studio's first release to surpass $200 million worldwide, achieving the milestone just 10 days after its theatrical debut.

Trisha Bhattacharya
Updated9 Jun 2026, 01:08 AM IST
Renate Reinsve in a still from the trailer of 'Backrooms'
Renate Reinsve in a still from the trailer of 'Backrooms'

Backrooms has achieved a historic milestone for independent entertainment company A24, becoming the studio's highest-grossing film worldwide and its first release to generate more than $200 million at the global box office.

Backrooms box office collection

The breakout horror film, directed by Kane Parsons, has earned $212 million worldwide, including $135 million in North America. The achievement sees the film surpass the lifetime global earnings of Marty Supreme, which had previously held the record as the studio's most successful theatrical release with $191 million.

The speed of Backrooms' success has drawn particular attention within the industry. The film reached the $200 million milestone after only 10 days in cinemas, underscoring strong audience interest in the adaptation of Parsons' popular online horror series centred on unsettling "liminal spaces" and endless maze-like rooms.

Also Read | ‘Marty Supreme’ becomes A24’s highest-grossing film at North American box office

The film opened to a record-breaking $81 million domestically, giving A24 the largest opening weekend in its history. The figure comfortably eclipsed the previous studio record set by Civil War, which debuted with $25.5 million in North America.

Although ticket sales declined by 70 per cent in its second weekend, Backrooms still generated a robust $25.8 million from 3,565 theatres between Friday and Sunday. Given its reported production budget of approximately $10 million, co-financed by Chernin Entertainment and A24, the film has already delivered substantial profits.

Internationally, the horror thriller has accumulated $77 million across 57 territories. The film reportedly set opening weekend records for A24 in 41 countries, including Spain, while claiming the number one position in 42 markets such as Canada, the United Kingdom, Australia, New Zealand and Italy.

Also Read | Obsession box office crosses $79 million worldwide

Latin America has emerged as the strongest overseas market, contributing $24.2 million and helping make Backrooms A24's highest-grossing title in the region. In Australia and New Zealand, the film overtook Marty Supreme to become the studio's biggest box office success to date, earning $7.9 million.

Backrooms stars Chiwetel Ejiofor as a furniture store owner who discovers a mysterious doorway leading to an endless network of nondescript rooms. When he disappears, his therapist, played by Renate Reinsve, ventures into the unknown in an attempt to rescue him.

While a sequel has not yet been officially announced, Parsons has previously suggested that the world of Backrooms could expand beyond a single film

About the Author

Trisha Bhattacharya is a Senior Content Producer at Livemint, with over two years of experience covering entertainment news from India and beyond. She spends her days tracking what’s trending, breaking down pop culture moments, and turning fast-moving entertainment stories into sharp, engaging reads that actually make people want to click — and stay. <br> She holds a Master’s degree in English Literature from Lucknow University, a background that shapes her love for layered narratives, strong voices, and stories that linger long after they’re told. Before joining Livemint, Trisha worked with India Today as an entertainment journalist and film critic. There, she reviewed films, covered industry news, and built a strong foundation in storytelling and cultural analysis. <br> Trisha enjoys working at the intersection of media, culture, and audience interest, always looking for fresh angles and formats. Films, shows, and music are not just her beat but her biggest passion — something that naturally reflects in her writing. Whether it’s cinema, streaming shows, music, or internet trends, she approaches every story with curiosity and intent. <br> Outside the job description, she’s unapologetically passionate about films, shows, and music — sometimes a little too passionate, if you ask her. That enthusiasm often spills into her work, adding personality, urgency, and a touch of chaos that keeps her writing alive. For Trisha, entertainment isn’t just a beat — it’s a language she speaks fluently.

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