Boong director Lakshmipriya Devi reveals she could not watch her film's footage for months: ‘I would break down’

Lakshmipriya Devi, director of India's first BAFTA-winning film Boong, struggled emotionally while editing due to the destruction of filming locations in Manipur. Despite the film's themes, she rejects the label of political filmmaker, emphasizing the story's personal nature.

Trisha Bhattacharya
Published10 Mar 2026, 01:26 AM IST
A still from the trailer of India's first-ever BAFTA-winning film, 'Boong'.
A still from the trailer of India's first-ever BAFTA-winning film, 'Boong'.

Lakshmipriya Devi, the director of Boong, India's first BAFTA-winning film, has revealed she broke down repeatedly while editing the footage — because the locations she had filmed in had been destroyed by the ethnic conflict raging through Manipur.

Boong director Lakshmipriya Devi broke down while editing the film

Lakshmipriya Devi, speaking to PTI, said it took months before she could watch her own material. “I could not edit the film for a very long time. I would break down every time I would see the footage. Knowing that the entire second half of the film was shot in places that were now in rubble... it affected me. It took a couple of months before I could look at the footage objectively from a distance.”

Also Read | BAFTA 2026: Farhan Akhtar-produced ‘Boong’ wins Best Children’s & Family Film

Boong last month became the first Indian film to win a BAFTA, taking the Best Children's and Family Film award at the 79th ceremony in London, beating Hollywood titles including Lilo & Stitch and Zootopia 2.

The film follows a young boy in Manipur who travels with his best friend to find his absent father, his journey taking him from the hills of the region to the border town of Moreh and across into Myanmar.

Devi spent years as a first assistant director on major Indian productions — among them PK, Talaash and A Suitable Boy — before Boong marked her debut behind the camera. She has said she never set out to become a director, describing the film as "a sum total of my life experiences."

Despite its subject matter, Devi has firmly resisted the label of political filmmaker. "This is not a political film. It is the story of a boy who lives in a place where these kinds of things happen. If somebody thinks it's political, it's their perspective," she said, noting that the cast and crew drew from different ethnicities across Manipur yet maintained a spirit of community throughout production.

On the BAFTA recognition, Devi said she remains cautious about what it can achieve. “With film festivals like BAFTA, at least the first step of awareness has been created, which is like giving people the idea that, 'Hey, there's a place called Manipur and films like this are outside of Bollywood indie', but beyond that it's up to audiences to take that knowledge forward and apply it.”

As for her own next steps, she says she intends to keep her head down. "I want to go back more under the radar after this and not let this get to me."

Boong received a wider re-release in Indian cinemas following its BAFTA win.

About the Author

Trisha Bhattacharya is a Senior Content Producer at Livemint, with over two years of experience covering entertainment news from India and beyond. She spends her days tracking what’s trending, breaking down pop culture moments, and turning fast-moving entertainment stories into sharp, engaging reads that actually make people want to click — and stay. <br> She holds a Master’s degree in English Literature from Lucknow University, a background that shapes her love for layered narratives, strong voices, and stories that linger long after they’re told. Before joining Livemint, Trisha worked with India Today as an entertainment journalist and film critic. There, she reviewed films, covered industry news, and built a strong foundation in storytelling and cultural analysis. <br> Trisha enjoys working at the intersection of media, culture, and audience interest, always looking for fresh angles and formats. Films, shows, and music are not just her beat but her biggest passion — something that naturally reflects in her writing. Whether it’s cinema, streaming shows, music, or internet trends, she approaches every story with curiosity and intent. <br> Outside the job description, she’s unapologetically passionate about films, shows, and music — sometimes a little too passionate, if you ask her. That enthusiasm often spills into her work, adding personality, urgency, and a touch of chaos that keeps her writing alive. For Trisha, entertainment isn’t just a beat — it’s a language she speaks fluently.

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