Dhurandhar 2 Day 16 box office collection: Ranveer Singh’s movie refuses to slow down, becomes first Hindi film to…
Dhurandhar: The Revenge continues its impressive run. Ranveer Singh's movie has achieved what no other Hindi film could.
Sixteen days in, and Dhurandhar: The Revenge is showing no signs of slowing down. The third Friday set the stage for what could be a truly historic third week.
The film started its journey on Day 0 with ₹43 crore net from 11,294 preview shows at 54.8% occupancy. The opening day brought ₹102.55 crore net from 21,633 shows. The first weekend peaked at ₹114.85 crore on Sunday at 76.1% occupancy.
The first weekdays held exceptionally for Aditya Dhar's film. Monday at ₹65 crore, Tuesday at ₹56.60 crore, Wednesday at ₹48.75 crore, and Thursday at ₹49.70 crore. Week 1 closed at ₹674.17 crore net.
The second week opened on ₹41.75 crore on Friday, before the second weekend revived strongly. Saturday at ₹62.85 crore and Sunday at ₹68.10 crore.
The second week settled at ₹25.30 crore (Monday), ₹27.25 crore (Tuesday), ₹20.10 crore (Wednesday) and Thursday at ₹18.30 crore. Week 2 closed at ₹263.65 crore net.
Dhuandhar 2: Day 16 box office collection
Day 16, its third Friday, earned ₹21.55 crore net from 13,330 shows at 27.0% occupancy. It saw a growth of 17.8% over the previous day's ₹18.30 crore. A
Hindi led with ₹20.25 crore from 12,291 shows at 27% occupancy. Telugu followed with ₹65 lakh from 504 shows at 26%. Tamil collected ₹45 lakh from 348 shows at 29%, the highest occupancy of any language on the day.
Kannada earned ₹15 lakh from 119 shows at 24%. Malayalam brought in ₹5 lakh from 68 shows at 23%.
The India net collection now stands at ₹959.37 crore, with India gross at ₹1,148.58 crore. Overseas, the film added ₹5 crore on Day 16, taking the total overseas gross to ₹375 crore. The worldwide box office collection now stands at ₹1,523.58 crore gross.
With that, Dhurandhar 2 has now crossed ₹1,500 crore worldwide. Aditya Dhar’s film became the fastest Indian film ever to do so. It is only the fourth Indian film in history to reach this landmark, joining Dangal, Baahubali 2 and Pushpa 2.
In Hindi alone, the film has crossed ₹900 crore net. Ranveer Singh’s is the first film in history to achieve this milestone in a single language.
On BookMyShow, it has sold over 15 million tickets. Dhurandhar 2 is the first Bollywood film ever to do so. It is the fourth Indian film overall behind Pushpa 2, KGF Chapter 2 and Baahubali 2.
A ₹1,000 crore net milestone in India appears to be just days away. The second weekend of the third week will tell the full story.
About the Author
Sounak Mukhopadhyay covers trending news, sports and entertainment for LiveMint. His reporting focuses on fast-moving stories, box office performance, digital culture and major cricket developments. He combines real-time updates with clear context for everyday readers. <br><br> Sounak brings newsroom experience across breaking news, explainers and long-form features. He has a strong emphasis on accuracy, verification and responsible storytelling. His work tracks audience behaviour, celebrity influence and the business of sport and cinema. He helps readers understand why a story matters beyond the headline. <br><br> Sounak has contributed to widely read digital publications. He continues to build a body of journalism shaped by consistency, speed and editorial clarity. He is particularly interested in the intersection of media, popular culture and public conversation in contemporary India. <br><br> At LiveMint, he writes daily coverage as well as analytical pieces that interpret numbers, trends and cultural moments in accessible language. His approach prioritises factual depth, balanced framing and reader trust. The reporting aligns with modern newsroom standards of transparency and credibility. <br><br> Outside daily reporting, he explores storytelling across formats including podcasts, filmmaking and narrative non-fiction. Through his journalism, Sounak aims to document the rhythms of modern entertainment and sports while maintaining rigorous editorial integrity. <br><br> Sounak continues to develop audience-focused journalism that connects speed with substance in a rapidly-changing information environment. His work seeks clarity, trust and lasting public value in every story he reports.
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