Did you know Prithviraj Kapoor played Lord Rama before Ranbir Kapoor was even born?

As Ranbir Kapoor prepares to play Lord Rama in Nitesh Tiwari's Ramayana, few realise his great-grandfather Prithviraj Kapoor played the same role 92 years ago — making this one of cinema's most extraordinary family circles.

Trisha Bhattacharya
Updated5 Apr 2026, 12:15 AM IST
Ramayana and The Kapoor Circle: Before Ranbir, there was Prithviraj.
Ramayana and The Kapoor Circle: Before Ranbir, there was Prithviraj.

In the early 1930s, Indian cinema was still learning how to speak. Sound had only just arrived, and filmmakers were experimenting with stories, style, and technology. It was during this time that director Debaki Bose made Seeta, a film based on the Ramayana that would go on to become a landmark.

Released in 1934, Seeta was one of the early talkies. It was made in Bengali and later released in Hindi, allowing it to reach a wider audience across regions. At a time when films rarely travelled beyond their original language, this was a significant step. The film was well received and became both a critical and commercial success.

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At the centre of it was a young Prithviraj Kapoor, just 28 years old, playing Lord Rama. He already had experience in theatre, and that showed in his performance. His voice, his presence, and his stillness gave the role a sense of calm authority. In those days, portraying Rama was not just about acting—it carried deep emotional and cultural meaning. Kapoor approached it with sincerity and respect, something audiences connected with.

The film also had a personal layer. Prithviraj’s younger brother, Trilok Kapoor, played Luv, Rama’s son. It was one of his earliest roles. In a way, this film marked the beginning of the Kapoor family’s journey in Indian cinema—two brothers sharing the screen in roles that reflected a father and son from mythology.

Seeta also featured Durga Khote as Sita, marking her early work in Hindi films. She would go on to have a long and memorable career, including roles in classics like Mughal-e-Azam, where she again appeared alongside Prithviraj Kapoor many years later.

The film’s impact went beyond India. It was screened at the Venice Film Festival in 1934, where Debaki Bose received an award. This made Seeta one of the first Indian films to gain international recognition. At a time when Indian cinema was still new, this was a major achievement.

What is striking is how simply the film was made. There were no visual effects, no large-scale production tools—just strong performances, thoughtful direction, and a powerful story that had been told for generations.

And now, nearly 90 years later, that story comes back in a very personal way.

Also Read | Ramayana's staggering budget explained | Where did ₹4,000 cr actually go?

Prithviraj Kapoor’s great-grandson, Ranbir Kapoor, is set to play Lord Rama in the upcoming Ramayana. The scale today is much bigger, with advanced technology and global attention. But the role itself still carries the same weight.

That is what makes this moment feel complete. From Prithviraj Kapoor in 1934 to Ranbir Kapoor today, the same family returns to the same character across generations. It is not just a coincidence—it is a rare full-circle moment in Indian cinema.

The industry has changed in every possible way. But some things stay the same. Playing Rama is still not just a role—it is a responsibility, one that continues to carry meaning, no matter the era.

About the Author

Trisha Bhattacharya is a Senior Content Producer at Livemint, with over two years of experience covering entertainment news from India and beyond. She spends her days tracking what’s trending, breaking down pop culture moments, and turning fast-moving entertainment stories into sharp, engaging reads that actually make people want to click — and stay. <br> She holds a Master’s degree in English Literature from Lucknow University, a background that shapes her love for layered narratives, strong voices, and stories that linger long after they’re told. Before joining Livemint, Trisha worked with India Today as an entertainment journalist and film critic. There, she reviewed films, covered industry news, and built a strong foundation in storytelling and cultural analysis. <br> Trisha enjoys working at the intersection of media, culture, and audience interest, always looking for fresh angles and formats. Films, shows, and music are not just her beat but her biggest passion — something that naturally reflects in her writing. Whether it’s cinema, streaming shows, music, or internet trends, she approaches every story with curiosity and intent. <br> Outside the job description, she’s unapologetically passionate about films, shows, and music — sometimes a little too passionate, if you ask her. That enthusiasm often spills into her work, adding personality, urgency, and a touch of chaos that keeps her writing alive. For Trisha, entertainment isn’t just a beat — it’s a language she speaks fluently.

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