
The debate around Deepika Padukone’s call for eight-hour work shifts in Bollywood has resurfaced, this time during a candid conversation on Soha Ali Khan’s podcast featuring actor Kunal Kemmu and Saif Ali Khan.
Last year, Deepika sparked a major discussion in the film industry when reports suggested she had asked for eight-hour workdays on film sets. The demand was widely discussed in the context of work-life balance, especially for new mothers, and triggered varied reactions from filmmakers and actors alike.
During the podcast conversation, Soha Ali Khan noted how conversations around work-life balance have become more common in recent years, unlike earlier times when long working hours were often accepted as the norm.
Responding to the discussion, Kunal Kemmu said that while work-life balance is important, individuals must also be aware of the trade-offs that come with their choices.
“I feel that when we become 18 and when we are choosing governments of our country, we also have to choose what we want in life, what we signed up for. We sometimes say that we want to work for only so much time and want to spend time here… then you leave the job. Then don't say that I want to be the biggest superstar and I want to be working in 10 films in a year. You choose what you want to do and know that it will come with its pros and cons, that you have signed up for it. You can't say I want to get paid more and I want to work less.”
When Soha pointed out that this discussion had gained momentum after Deepika Padukone reportedly pushed for eight-hour work shifts, Kunal extended his argument to generational attitudes towards work.
“Of course. I am not just saying gender and actors. I am saying when we are talking about generations, like Gen Z, we have this whole conversation that Gen Z does not want to work too much and millennials used to do that. They had only so much hours, but they also had the lifestyle of chilling and doing self-exploration trips. Toh phir woh mat bolo ki 12 ghante kaam kar ke aapse zyada salary le raha hain. Woh bhi problem hain. Lekin woh holiday pe nahi jaa raha hain, woh bhi problem hain. Aap ko jaana hain lekin kam paise mil raha hain toh woh bhi problem hain (Then don't say that the person working for 12 hours is getting paid more. That is a problem. If they are holidaying that is a problem, you cannot go because you are paid less and that is also the problem)!”
The conversation comes months after reports suggested that Deepika Padukone had stepped away from Sandeep Reddy Vanga’s film Spirit following disagreements over her alleged demand for an eight-hour workday.
Later, similar reports indicated that the actor also exited Nag Ashwin’s upcoming project Kalki 2. According to reports at the time, Deepika wanted a schedule that would allow her to spend more time with her daughter Dua, limiting her work hours on set.
Although the discussions around the issue continue within the industry, the debate has also sparked conversations about work culture in Bollywood, balancing personal life with demanding film schedules, and evolving expectations among newer generations of actors.
Anjali Thakur is a Senior Assistant Editor with Mint, reporting on trending news, entertainment and health, with a focus on stories driving digital conversations. Her work involves spotting early signals across news cycles and social media, sharpening stories for SEO and Google Discover, and mentoring young editors in digital-first newsroom practices. She is known for turning fast-moving developments—whether news-driven or culture-led—into clear, tightly edited journalism without compromising editorial rigour.<br><br> Before joining Mint, she was Deputy News Editor at NDTV.com, where she led the Trending section and covered viral news, breaking developments and human-interest stories. She has also worked as Chief Sub-Editor at India.com (Zee Media) and as Senior Correspondent with Exchange4media and Hindustan Times’ HT City, reporting on media, advertising, entertainment, health, lifestyle and popular culture.<br><br> Anjali holds a Bachelor of Arts degree from Miranda House, and is currently pursuing an MBA, strengthening her understanding of business strategy and digital media economics. Her writing balances newsroom discipline with a clear instinct for what resonates with readers.
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