Ramayana 2026 teaser: Bollywood fan ‘fixes’ Ranbir Kapoor’s scene with AI; social media reacts, ‘Don’t be lame’

The teaser for Ramayana, featuring Ranbir Kapoor, has received mixed reviews, particularly regarding the casting and VFX quality. A viral post suggested AI can improve visual effects.

Sounak Mukhopadhyay
Updated5 Apr 2026, 11:59 AM IST
Ramayana 2026 teaser: User fixes Ranbir Kapoor’s scene with AI; social media reacts, ‘Don’t be lame’
Ramayana 2026 teaser: User fixes Ranbir Kapoor’s scene with AI; social media reacts, ‘Don’t be lame’(Screengrab from YouTube/Sony Music India)

A viral social media post has triggered debate over visual effects in the upcoming film Ramayana, starring Ranbir Kapoor as Lord Rama. A Bollywood fan apparently ‘fixed’ VFX issues with the Bollywood project.

The post, shared by user Mahika Jadhav on X, claims to have “fixed basic physics” in a still from the film using AI tools within minutes. It compares two images, one from the film and another edited version. The user highlights differences in elements such as dust movement, wind direction, hair response and lighting during a storm scene.

Also Read | Ramayana's staggering budget explained | Where did ₹4,000 cr actually go?

According to the user, the original still lacks realistic physical behaviour, with dust not sticking and wind appearing directionless. Lighting does not interact naturally with the environment, either in the original still.

The edited version tries to correct these by aligning hair with the wind flow. It adds particle-skin interactions and improves light scattering in dust.

“I fixed basic physics, which a 4000 Cr film couldn't. Did this in 2-3 mins, thanks AI,” the user wrote.

The post has gained significant traction online, drawing mixed reactions. So far, it has garnered 645.8K views.

“If physics could be ‘fixed in 2 mins’, VFX studios wouldn’t exist. Don’t be lame,” reacted one user.

“How funny that just because you edited a photo with Gemini (or whatever) ....you feel that you can fix the basic physics....try to do the same in a 2-3 min clip and then you'd find out why they didn't do it....or maybe still doing it,” commented another user.

Also Read | ‘Worth every year’: Nitesh Tiwari gets emotional at Ramayana teaser reveal

One user commented, “With a few prompts, anyone can do this in a photo. Try doing this for a video and show us how much you ‘fixed’.”

Another user wrote, “I am pretty sure, DNEG would not be depending on some AI tool for particle simulation for dust and wind.”

DNEG, the visual effects studio behind Ramayana, has won 8 Academy Awards so far. It won the Oscars for Dune: Part One (2022) and Part Two (2025), Tenet (2021), First Man (2019), Blade Runner 2049 (2018), Ex Machina (2016) and Interstellar (2015). The studio won its first Black Lady in 2011 for Inception.

Ramayana movie teaser

Ramayana makers, led by director Nitesh Tiwari, received a mixed response after the release of its teaser on 2 April. While many praised the film’s scale and Ranbir Kapoor’s calm portrayal of Lord Ram, several concerns have been raised online.

The biggest criticism is around VFX. Some viewers say certain scenes look like video game graphics or feel artificial. A few even feel some visuals look AI-generated and lack emotional depth.

Also Read | As Ranbir Kapoor's Ramayana faces criticism, Hrithik Roshan says ‘bad VFX…'

Casting has also been debated. While Ranbir Kapoor’s look is appreciated by many, some feel he appears slightly older for the role. Sunny Deol’s casting as Hanuman has also received mixed reactions.

Technical issues have gone viral, including colour inconsistencies in costumes, frame drops and uneven slow-motion shots. Some fans are also unhappy that the teaser was launched in Los Angeles rather than in India.

In response, Hrithik Roshan has said stylised visuals should not always be judged as realistic. Industry experts claim that teaser visuals are often unfinished, with enough time left before the Diwali 2026 release.

About the Author

Sounak Mukhopadhyay covers trending news, sports and entertainment for LiveMint. His reporting focuses on fast-moving stories, box office performance, digital culture and major cricket developments. He combines real-time updates with clear context for everyday readers. <br><br> Sounak brings newsroom experience across breaking news, explainers and long-form features. He has a strong emphasis on accuracy, verification and responsible storytelling. His work tracks audience behaviour, celebrity influence and the business of sport and cinema. He helps readers understand why a story matters beyond the headline. <br><br> Sounak has contributed to widely read digital publications. He continues to build a body of journalism shaped by consistency, speed and editorial clarity. He is particularly interested in the intersection of media, popular culture and public conversation in contemporary India. <br><br> At LiveMint, he writes daily coverage as well as analytical pieces that interpret numbers, trends and cultural moments in accessible language. His approach prioritises factual depth, balanced framing and reader trust. The reporting aligns with modern newsroom standards of transparency and credibility. <br><br> Outside daily reporting, he explores storytelling across formats including podcasts, filmmaking and narrative non-fiction. Through his journalism, Sounak aims to document the rhythms of modern entertainment and sports while maintaining rigorous editorial integrity. <br><br> Sounak continues to develop audience-focused journalism that connects speed with substance in a rapidly-changing information environment. His work seeks clarity, trust and lasting public value in every story he reports.

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