
On Monday, superstar Salman Khan officially announced the new name of his upcoming film as Maatrubhumi. The film was previously titled Battle of Galwan. The change arrives after days of controversy over China's reaction to the film.
Unveiling the new poster of the film, now titled Maatrubhumi, Khan wrote on social media, “May War Rest In Peace. #Maatrubhumi.”
The poster features Salman Khan as a battle-worn soldier in an intense war setting. His face is seen covered with blood, dirt and wounds, setting the tone of the film. A deep cut on his forehead and bruises across his face are also spotted.
Staring directly into the camera with a fierce expression, Khan's bloodied hand grips a barbed-wire wrapped weapon. The dusty background, seemingly from a battlefield, features blurred silhouettes of soldiers.
Check it out:
The film had earlier released a song titled Maatrubhumi, sung by Arijit Singh.
The Battle of Galwan is based on the 2020 clash between Indian and Chinese troops in the Galwan Valley. According to PTI, Salman Khan in the Apoorva Lakhia film was set to play the role of Bikkumalla Santosh Babu, who sacrificed himself along with 19 other soldiers of the 16 Bihar Regiment to protect the Indian territory.
Bikkumalla Santosh Babu was posthumously honoured with India's second-highest wartime gallantry award, the Maha Vir Chakra.
After its teaser release on Salman Khan's 60th birthday, the film drew criticism from China's Global Times, which alleged it was a cinematic exaggeration. They accused the film of distorting facts.
A teaser of the film showed the Army officer (played by Khan) and a group of Indian soldiers charging at the PLA army members, running towards them. The song "Mera Bharat Desh Mahaan Hai" was heard playing in the background.
The teaser also featured a voice-over by Salman Khan, who said, “Soldiers, remember, if you get hurt, treat it like a medal and if you see death, salute it.”
"India has a tradition of cinematic expression. A movie titled 'Haqeeqat' was made in 1964, and the theme was the India-China war of 1962. Another film '120 Bahadur', was made recently on the legendary battle of Rezang La. Cinemas are an artistic expression, and India does not restrict it," a government source told PTI.
Later, the Ministry of External Affairs' spokesperson Randhir Jaiswal said, “We understand that a film of this nature is being planned. Issues regarding film-making in India, as you are well aware, are looked after by the relevant authorities. And as far as we are concerned, MEA has no role in this or such ventures.”
The military standoff in eastern Ladakh began in May 2020. Clashes at the Galwan Valley in June 2020 strained ties between India and China. PTI reported that 20 Indian Army personnel laid down their lives during the 15 June clash in the same year.
In February 2021, China officially acknowledged that five Chinese military officers and soldiers were killed in the clashes. However, many believe that the death toll on the Chinese side was much higher.
Sneha Biswas specialises in covering entertainment and pop culture, with a specialisation on Bollywood, Hollywood, OTT platforms, K-pop, K-dramas, and major developments in the US entertainment industry. She believes in telling stories that balance speed with substance, and in making entertainment journalism contextual, culturally aware, and reader-first rather than purely reactive.<br><br> With over six years of experience in digital media, Sneha currently serves as a Deputy Chief Content Producer at Live Mint. She has spent more than three and a half years with the HT Group and returned to the organisation in February 2025, joining Live Mint to uplift the entertainment section. Over the past year, she has been closely involved in entertainment coverage including breaking news, explainers, trend reporting, box office reports and analysis for the audience.<br><br> Sneha is Google News certified, having completed training focused on newsroom best practices, digital reporting, and SEO-driven content strategies. Her work reflects a strong understanding of audience behaviour, search trends, and the evolving consumption patterns of entertainment news across formats.<br><br> Prior to her current role, Sneha has worked across multiple content and editorial functions within digital newsrooms, building expertise in content planning, editing, and real-time coverage. Her professional interests lie at the intersection of entertainment, internet culture, and global pop trends.<br><br> Working for the National city team, Biswas closely follows global entertainment movements while maintaining a strong pulse on what is happening in India.
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