
Hollywood's global box office has recorded major numbers in 2026, with several high-profile releases drawing particularly strong audiences across Asian markets.
Spider-Man: Brand New Day has crossed $2.4 billion worldwide, according to the figures provided, making it the third-highest-grossing film ever. In India, the film has emerged as the biggest Hollywood release of all time, surpassing Avengers: Endgame.
The film has collected an estimated ₹550 crore in India, equivalent to nearly $65 million, according to the figures provided.
China has also emerged as an important market for the film. The movie has generated approximately 1.03 billion Chinese yuan, or nearly $142 million, at the country's box office.
The strong performance extends beyond Spider-Man: Brand New Day. South Korean audiences have also contributed significantly to the year's box-office numbers.
South Korean movie Go has generated more than 68 billion South Korean won, equivalent to nearly $50 million in ticket sales.
The figures highlight the importance of Asian markets to the theatrical performance of major international releases.
Christopher Nolan's The Odyssey has maintained strong momentum at the global box office, earning $1.627 billion worldwide, according to the figures provided.
The film is described as the second-highest-grossing film of 2026 and the top-performing R-rated release ever.
Asian markets have contributed substantially to the film's performance.
In South Korea, The Odyssey has earned 100 billion South Korean won, or nearly $74 million, overtaking established superhero records to become the country's top Hollywood attraction of the year.
China has also recorded strong numbers, with exhibitors reporting earnings of 665 million Chinese yuan, equivalent to nearly $92.7 million.
In India, The Odyssey has earned roughly ₹200 crore, or nearly $24 million, according to the figures provided.
Nolan has a strong fan base in India, and The Odyssey marked the first Nolan directorial to enjoy a premiere in the country.
The film's performance in India adds to the growing contribution of Asian markets to Hollywood's global theatrical revenues.
Meanwhile, Coyote vs. Acme has recorded a comparatively modest theatrical run after its journey out of corporate shelving.
The hybrid animation and live-action film has earned $39.84 million worldwide, with the majority of its box-office revenue coming from North America.
The domestic market generated $33.84 million, with audiences contributing to the film's theatrical performance over the Labor Day weekend.
The performances of Spider-Man: Brand New Day and The Odyssey underline the importance of Asian audiences to Hollywood's global box-office ambitions.
India, China and South Korea have each contributed substantial revenues to the films, while established fan bases for franchises and filmmakers have helped drive theatrical audiences.
For Hollywood studios, the numbers also reinforce the significance of Asian markets when assessing the global performance of major theatrical releases.
Anjali Thakur is a Senior Assistant Editor with Mint, reporting on trending news, entertainment and health, with a focus on stories driving digital conversations. Her work involves spotting early signals across news cycles and social media, sharpening stories for SEO and Google Discover, and mentoring young editors in digital-first newsroom practices. She is known for turning fast-moving developments—whether news-driven or culture-led—into clear, tightly edited journalism without compromising editorial rigour.<br><br> Before joining Mint, she was Deputy News Editor at NDTV.com, where she led the Trending section and covered viral news, breaking developments and human-interest stories. She has also worked as Chief Sub-Editor at India.com (Zee Media) and as Senior Correspondent with Exchange4media and Hindustan Times’ HT City, reporting on media, advertising, entertainment, health, lifestyle and popular culture.<br><br> Anjali holds a Bachelor of Arts degree from Miranda House, and is currently pursuing an MBA, strengthening her understanding of business strategy and digital media economics. Her writing balances newsroom discipline with a clear instinct for what resonates with readers.
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