As celebrities launch AI avatars, how long could it be before legal risks catch up?

Lata Jha
3 min read7 Apr 2026, 12:32 PM IST
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Actor Rhea Chakraborty has launched an AI-powered avatar named Mishty in collaboration with Collective Artists Network and its AI studio Galleri5.
Summary
Rhea Chakraborty’s AI avatar marks a new phase in celebrity monetization—offering scale, localization and cost gains, but raising legal, authenticity and deepfake risks in India’s evolving AI landscape.

Celebrities may no longer be limited by time, geography or even physical presence.

With actor Rhea Chakraborty launching an AI-powered avatar named Mishty in collaboration with Collective Artists Network and its AI studio Galleri5, the business of fame is entering a new phase—one built on infinite scalability. Industry experts say such AI avatars allow public figures to extend their commercial life cycle far beyond traditional constraints, unlocking always-on engagement and personalized brand deals.

But as digital doubles become mainstream, legal and reputational risks are moving just as quickly. From unauthorized cloning of likeness and voice to disputes over digital identity ownership, the battle over control is only beginning, experts said.

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Infinite scale

“The real opportunity is scale. A celebrity today can only be in one place at a time. An AI avatar removes that constraint entirely, opening doors to always-on fan engagement, brand partnerships, and personalised content at a volume no human can match. We are seeing a real shift where AI avatars are moving from a futuristic concept to a practical business tool,” said Rajnish Rawat, co-founder and CEO at Social Pill, a digital marketing agency.

Globally, stars like Lil Miquela have shown that a digital persona can land massive fashion deals with brands like Prada or Chanel without ever stepping onto a physical set, Rawat pointed out. In India, we are at the early adopter stage. Actors like Rhea Chakraborty with her Mishty avatar are testing the waters, and even legends like Sourav Ganguly have launched digital twins for virtual coaching and fan events.

“The business opportunity here is essentially about infinite scalability. A physical celebrity can only be in one place at a time, but an AI avatar can do a thousand hyper-personalized video endorsements in a hundred different regional languages,” Rawat said.

New revenue rails

To be sure, the possibilities with AI avatars are genuinely exciting, according to industry experts. Think personalized video messages at scale, AI-powered fan clubs, branded virtual appearances, language-localized content for regional markets, and even AI tutoring or mentorship products built around a celebrity’s persona.

For India specifically, the regional language opportunity alone is massive. A single avatar speaking in ten languages is something no human celebrity can replicate.

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“We are actively leveraging advanced generative AI platforms and real-time engines to develop AI-driven worlds and characters such as Mohini, along with immersive VR experiences that meet international quality benchmarks. These integrations allow us to optimise production timelines, enhance visual fidelity, and create scalable intellectual property. We are also exploring strategic partnerships with leading AI and immersive technology platforms to further strengthen our capabilities,” said Khvafar Vakharia, executive business head and creative executive producer at Equinox Virtual.

Ushmi Desai, visual communication designer at digital marketing agency BC Web Wise said for brands, this fundamentally alters the economics of celebrity marketing. Campaign production becomes faster, costs fall and scale increases dramatically. Some AI-led campaigns have already reported up to 50% cost savings and significantly faster campaign rollouts compared to traditional shoots.

“In a diverse market like India, the localization potential is particularly powerful. Digital personas could power subscription-based fan experiences, personalised interactions and conversational AI built around a celebrity’s voice or identity. They may also play a role in commerce, hosting live shopping streams or appearing in thousands of hyper localized campaigns simultaneously,” Desai said.

Despite the excitement, AI avatars pose a fundamental marketing challenge: authenticity.

Digital influencers still struggle to match the trust levels of human creators. Audiences tend to connect more deeply with personalities who feel spontaneous and imperfect. Even the most technically impressive AI personas can sometimes feel distant or overly curated.

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Shreya Suri, partner at CMS INDUSLAW, pointed out that the line between authentic representation and synthetic manipulation is still blurry given the ambiguity under the current IT Intermediaries Rules framework. Until that is clarified by the rulemaker (or through judicial precedent), reputational and legal risks can escalate quickly.

Legal minefield

“AI avatars raise immense legal and reputational concerns. The technology used to recreate a person’s face, voice or personality can overlap with deepfake tools, which have been associated with impersonation, misinformation and online fraud,” said Germaine Pereira, partner at Solomon & Co.

Concerns raised about AI chatbots or digital characters using the likeness of celebrities, deepfake videos and unauthorised use of their images without consent or generating statements that appear to come from the real person, using cloned versions of voices are common.

In India, where social media content spreads rapidly and legal framework around artificial intelligence is still evolving, such technology could potentially lead to misuse of personality rights, misleading advertisements or reputational harm if safeguards and transparency measures are not implemented since people wouldn’t know the difference between original AI avatar originating from the celebrity and the deepfake one, Pereira added.

About the Author

Lata writes about the media and entertainment industry for Mint, focusing on everything from traditional film and TV to newer areas like video and audio streaming, including the business and regulatory aspects of both. A journalist for over a decade, she has extensively covered relatively underexplored aspects of what is seen as a glamorous business—from the death of single-screen cinemas in small towns to unreasonable star fees and demands eating into film production budgets and eventually inflating ticket rates. She was early to spot what are now established and ongoing trends such as the slowdown in the OTT business and the surge in the popularity of southern movies, which she continues to spotlight. A regular writer of in-depth, long-form features, her best-read work ranges from critical profiles of companies like Netflix, JioHotstar and Prime Video to takes on sexual harassment and mental health in the entertainment industry. She spends a lot of time watching content, particularly the old-school way in movie theatres, to make sure her writing is embedded in on-ground experience, since she believes the best stories often come from the travesties of directly engaging with and paying for the content that she writes on, and not from celebrity tweets, company releases or listings. A graduate of the Columbia School of Journalism, she has also authored a book on the business of entertainment.

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