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Programming budgets spike 25% as TV shoots move out of Maharashtra

Sumeet Mittal of Shashi Sumeet Productions, who is shooting Barrister Babu for the channel Colors, says television production houses are trying to do their best to put out fresh content as TV audiences love characters and watching them daily—a habit, which if broken, will affect viewership.Premium
Sumeet Mittal of Shashi Sumeet Productions, who is shooting Barrister Babu for the channel Colors, says television production houses are trying to do their best to put out fresh content as TV audiences love characters and watching them daily—a habit, which if broken, will affect viewership.

  • Having to compete with the cricket Indian Premier League at this time has made GECs even more cognizant of the need to sustain their viewership and advertising

NEW DELHI : The Mumbai lockdown is driving up the programming budgets of television producers and broadcasters of Hindi general entertainment channels by 25% as they are having to schedule their shoots outside Maharashtra to locations in Gujarat, Goa, Telangana and West Bengal.

At a time when the Indian Premier League is grabbing eyeballs, the channels are also trying to sustain viewership and advertising by taking extreme precautions to finish shoots, bring fresh episodes on air and avoid re-runs like last year as they grapple with the responsibility of the health of their cast and crew.

With over 3.2 million average minute audience (AMAs), Star Sports Hindi was the highest-rated TV channel last week, shows the latest BARC data. AMA is defined as the number of individuals of a target audience who saw an ‘event’, averaged across minutes.

Television advertising had declined by 21.5% in 2020 with ad volumes falling by 32% during the peak of the lockdown alone, according to a recent Ficci-EY report.

“We’re trying to do the best we can. The idea is to put out as much fresh content as possible because where TV is concerned, people love characters and watching them on a daily basis is like a habit. If that breaks, there will obviously be a fear of viewership decline," said Sumeet Mittal, founder-director, Shashi Sumeet Productions. He is shooting two shows, Barrister Babu (Colors) and Kyun Utthe Dil Chhod Aaye (Sony TV) in Surendranagar and other parts of Gujarat.

An executive of a broadcast company, seeking anonymity, said many broadcasters shoot storylines in advance and keep a bank of at least eight to nine episodes ready and this has helped them. “Many production houses have moved to shoot-friendly places to continue programming," he said, adding that the strategy may not work for all shows and some time slots will have to see re-runs.

Viacom18 and Star declined to comment. Zee and Sony TV did not respond to Mint’s queries. However, experts said all top-rated daily soaps, including Star Plus’ Anupamaa, are moving locations.

“Once re-runs start, the IPL could become the epicentre of content consumption, with a strong skew towards news and movies," said Shekhar Banerjee, chief client officer and head - west at media agency Wavemaker India. An accelerated adoption of subscription VoD services with local and global content and more time spent on gaming could be expected. “Advertising will take a hit... non-essential categories will move slow and advertisers may decide to delay their spends," he added.

Asit Kumarr Modi, creator of Sony SAB’s Taarak Mehta Ka Ooltah Chashmah and managing director of Neela Film Productions Pvt Ltd, who has a bank of episodes till 3 May said the team was looking at options where production could be moved but hasn’t zeroed in on a location yet. “There is uncertainty everywhere and we have to keep several things in mind apart from food, safety and accommodation. For instance, artistes should be comfortable and in a good mood especially when we’re doing comedy. It could be a long stay for them away from family in a different city and things could shut down in that city too," Modi added.

J.D. Majethia of Hats Off Productions and chairman of the Indian Film and TV Producers Council said the one positive change this year is that daily wagers employed on sets do not wish to go back home but stay on for work.

“It’s a very challenging time not just financially but also in terms of the fact that producers are staring at a huge moral responsibility in keeping their cast and crew safe at a time when they see entertainment content as a means to help the government in keeping viewers safe and engaged at home," Majethia added.

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