Saturday​ Feeling: Who's making films for children in India?

Manipuri film Boong won a BAFTA in the children’s category this year, but in India, kids usually watch animated films made abroad. Why aren't we making more films for them though we have a long history of children’s filmmaking?

Shalini Umachandran
Published11 Apr 2026, 07:01 AM IST
A still from 'Boong', which won a BAFTA in the children's and family film category early in 2026.
A still from 'Boong', which won a BAFTA in the children's and family film category early in 2026.

In a few weeks, we’ll be in the midst of school summer holidays, and for parents, it’s the time to be at their creative best, finding ways and means of entertaining the offspring. As complicated as childhood can be, the memories of those summer months of doing nothing are still pristine. It seems such indolence now—hours spent hiding under the bed and reading. Occasionally, there’d be a Disney film to watch on a video cassette player. Much has changed in the world of entertainment, but it turns out that the big budget Pixar and Disney films are still the ones that attract scores of children to theatres. So the team discussion on summer stories digressed into questions about what happened to live-action children’s films in India.

Manipuri film Boong, about a boy’s search for his father, isn’t exactly a children’s film, but won a BAFTA in the children’s category earlier this year. It was another reason for us to examine why we don’t make films solely for children in India even though we have a history of robust children’s filmmaking. Children’s cinema can open up whole worlds of wonder, apart from helping them build cognitive skills by thinking about the plot twists. The potential seems big, especially since minors make up more than a third of the country’s population, and adults too love children’s films, relating easily to the common themes of friendship, loyalty, love and togetherness.

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The cover of the print issue of Mint Lounge dated 11 April 2026. Children’s cinema can open up whole worlds of wonder, apart from helping them build cognitive skills by thinking about the plot twists.

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About the Author

Shalini Umachandran is Editor of Mint Lounge, Mint’s award-winning magazine for long-form, narrative news features, opinion, and culture and lifestyle journalism. She’s been part of the Mint newsroom for more than seven years, reporting as well as commissioning stories on a range of subjects from culture, history, migration and gender to politics, environment and business. She splits her time between New Delhi and Bengaluru.<br><br>Shalini has been a journalist for 25 years. Prior to joining Mint, she spent a little over 10 years at The Times of India as a reporter and editor, covering urban infrastructure, environment, gender, migration, culture and politics. She reported for and edited the weekly magazine TOI-Crest. She has also worked at The Hindu and The Economic Times, and has contributed to The Rockefeller Foundation’s Informal Cities Dialogues project.<br><br>Shalini is also the author of ‘You Can Make Your Dreams Work’, a book of 15 stories of people who switched careers to do what they love. She is an International Women’s Media Foundation (IWMF) reporting fellow for Honduras, and has completed a fellowship at the Institute of Palliative Care India and St Christopher’s Hospice London.

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