Saturday Feeling: How climate change is endangering Indian crafts

Floods, droughts, and extreme temperatures are impacting the raw materials needed for craft, endangering the production of the abundance of beautiful, handworked items India makes, from kitchen implements to saris

Shalini Umachandran
Published5 Sep 2026, 07:00 AM IST
A Kashmiri artisan weaving a traditional carpet. Their dependence on natural resources—mud, fibres, natural pigments, plant secretions, woods and metals—as the basis of their métier makes artisans particularly vulnerable to climate change. Photo: Wikimedia Commons
A Kashmiri artisan weaving a traditional carpet. Their dependence on natural resources—mud, fibres, natural pigments, plant secretions, woods and metals—as the basis of their métier makes artisans particularly vulnerable to climate change. Photo: Wikimedia Commons

Traditional Indian methods of creating and making are often held up as an example of sustainable living, of circular practices, and of countering climate change. But we rarely think of the ways in which climate change is itself disrupting these methods of production. In Kutch, for instance, long periods of unseasonal rain don’t give ajrakh printers enough time to dry their hand-blocked fabrics. In Assam, high temperatures destroy silkworm cocoons and put the livelihoods of muga silk weavers at risk. Their dependence on natural resources—mud, fibres, natural pigments, plant secretions, woods and metals—as the basis of their métier makes artisans particularly vulnerable to climate change. Artisans adjust, make do and find workarounds—but it doesn’t take away from the truth that climate change is impacting craft, endangering the production of the abundance of beautiful, handworked and largely natural items India makes, from kitchen implements to saris. And with it, the lifestyles and livelihoods of entire communities are at stake, as Avantika Bhuyan writes.

The cynical would say synthetic dyes can replace natural ones, polymers can be substitutes for clay, or polyester or modal yarns for cotton, and they’re not entirely wrong. After all, many ajrakh makers have taken to modal, and in other parts of the country, some tile and pottery-makers rely on heaters instead of the sun. But with such changes, we lose something ineffable to the value of hand-making—and we’re forcing people who once relied largely on their own environment into being entirely dependent on outside supply chains.

On a different note, we have reviews of new books, shows and films, and an interview with Gaggan Anand, who has brought his bold flavours to Delhi with a new restaurant.

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The threats to traditional crafts pose a danger to the lives and livelihoods of artisans. The cover of Mint Lounge dated 5 September 2026.

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About the Author

Shalini Umachandran is Editor of Mint Lounge, Mint’s award-winning magazine for long-form, narrative news features, opinion, and culture and lifestyle journalism. She’s been part of the Mint newsroom for more than seven years, reporting as well as commissioning stories on a range of subjects from culture, history, migration and gender to politics, environment and business. She splits her time between New Delhi and Bengaluru.<br><br>Shalini has been a journalist for 25 years. Prior to joining Mint, she spent a little over 10 years at The Times of India as a reporter and editor, covering urban infrastructure, environment, gender, migration, culture and politics. She reported for and edited the weekly magazine TOI-Crest. She has also worked at The Hindu and The Economic Times, and has contributed to The Rockefeller Foundation’s Informal Cities Dialogues project.<br><br>Shalini is also the author of ‘You Can Make Your Dreams Work’, a book of 15 stories of people who switched careers to do what they love. She is an International Women’s Media Foundation (IWMF) reporting fellow for Honduras, and has completed a fellowship at the Institute of Palliative Care India and St Christopher’s Hospice London.

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