Handmade poster, memes, sudden box office boon: What is the hype behind ‘worse than AI’ Chinese animated film Niu Lai?

Low-budget Chinese animated movie, Niu Lai is about a newborn calf and his journey to find courage and grow into a warrior. It was released on 5 August.

Sneha Biswas
Updated19 Aug 2026, 10:29 AM IST
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Niu Lai director announces next project.
Niu Lai director announces next project.

Some movies instantly become hits in theatres, while others disappear just as quickly. But the recently released Chinese animated film Niu Lai has turned out to be an unusual case. Mocked so much that it has now become a box office hit, even competing with Tom Holland's Spider-Man: Brand New Day and Christopher Nolan's The Odyssey. So what is the craze behind it?

Decoding Niu Lai box office success

Niu Lai is a low-budget animation film about a cow in a dream sequence. The film, which has been severely criticised on the internet, grossed 7,705 yuan ($1,140 or 1.09 lakh) in its first 10 days at the box office. But now, it has made more than 11.4 million yuan, as per tracking site Mao Yan.

The film witnessed a huge growth in footfall and ticket sales after it went viral across social media over its confusing plot and poor graphics.

"You may regret for 80 minutes if you watch it, but if you don't, you'll regret it for life," BBC quoted a social media post about Niu Lai.

Zero promotion, 'hand-crafted'

Reportedly, the film had no promotional poster, trailer, publicity or promotional tour.

“With almost no marketing budget but plenty of unexpected hype, Niu Lai has cinemas across China making their own promotional posters by hand. Theater staff are putting their finest artistic skills to work,” reported Shanghai Daily.

While some on the internet dubbed the film as ‘worse than AI’, a section of people jokingly argued that it was " hand-crafted ".

About Niu Lai

Niu Lai (translated to The Cow Is Coming in English) is an 86-minute animated film. The film revolves around a newborn calf and its journey as it grows up. It is said that the film took more than five years to be completed by director Xin Yumeng and his mother, Sun Lifan, with no budget.

The film was released on 5 August.

Also Read | Niu Lai box-office moo-ment: ‘Bad’ Chinese animation takes on Spider-Man, Nolan

Director reacts

“If we focused all our energy on rendering precision, this film would never have been made. Between perceiving details and the overall narrative, I chose to let the story run first,” Xin Yumeng said in a radio interview for Entrepreneurial Youth Talk, as per Wenxue City.

He added that he prioritised the overall story over polishing every other visual detail in the film. He believed that the audience wasn't going to inspect “every hair under a microscope”.

Reportedly, Xin has moved on to his next project. This time the production has begun working on his next animated film, Yang Gao, or Sheep High. He updated about his upcoming film, “we won’t have to wait five years”.

About the Author

Sneha Biswas specialises in covering entertainment and pop culture, with a specialisation on Bollywood, Hollywood, OTT platforms, K-pop, K-dramas, and major developments in the US entertainment industry. She believes in telling stories that balance speed with substance, and in making entertainment journalism contextual, culturally aware, and reader-first rather than purely reactive.<br><br> With over six years of experience in digital media, Sneha currently serves as a Deputy Chief Content Producer at Live Mint. She has spent more than three and a half years with the HT Group and returned to the organisation in February 2025, joining Live Mint to uplift the entertainment section. Over the past year, she has been closely involved in entertainment coverage including breaking news, explainers, trend reporting, box office reports and analysis for the audience.<br><br> Sneha is Google News certified, having completed training focused on newsroom best practices, digital reporting, and SEO-driven content strategies. Her work reflects a strong understanding of audience behaviour, search trends, and the evolving consumption patterns of entertainment news across formats.<br><br> Prior to her current role, Sneha has worked across multiple content and editorial functions within digital newsrooms, building expertise in content planning, editing, and real-time coverage. Her professional interests lie at the intersection of entertainment, internet culture, and global pop trends.<br><br> Working for the National city team, Biswas closely follows global entertainment movements while maintaining a strong pulse on what is happening in India.

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